PATRICIA BUSSO
June 20th - July 2nd
Opening Reception Saturday, June 22nd 6-8 pm
“Imagined” 30 x 30” Oil and Cold Wax on Panel $2,700
Patricia Busso’s practice is grounded in an appreciation of the everyday. Originally trained as a photographer, Busso is keenly aware of the impact of composition and framing in her works. Her work, rather than sending a strong message to its viewers, is meant to demonstrate that there is always something more to see in our daily lives. Busso appreciates the beauty in randomness, finding herself drawn to the natural world’s ability to create arresting vignettes.
The works on view at Anne-Marie Zehnder Gallery are a cohesive body of abstract works rendered in encaustic and oil and cold wax. Busso, who is interested in the interplay of texture and materials, uses thick paints and intense color palettes to draw in her viewers. Sunstroke (2024) is dominated by thick, creamy yellows that turn into burnt oranges as they work down the panel of wood. Cool purple accents dot the composition, weaving in and out of the warm yellow-orange hues until they meet icy white impasto details in the bottom third of the panel. The yellow turns to a deep, luxurious teal, lightly dotted with chartreuse and tangerine. Sunstroke, like its name might suggest, is reminiscent of a dramatic sunset over Cape Cod Bay; colors twist into each other in the sky as the sun fights to stay afloat, reflecting over the sparkling water. But without the title, the work could be anything – a dune, a flower, or an abstract play in color theory.
Through the works’ brightness and physicality, the paintings are imbued with an atmospheric, dream-like quality. Rather than speaking to audiences through recognizable landmarks or points of interest, the open-ended quality of Busso’s pieces can spark infinite possibilities for connection.
“Mint” 8 x 8” Oil and Cold Wax on Wood $550 Sold
“Sunstroke” 5 x 7” Oil and Cold Wax on Wood $375
“Cumulus” 4 x 4” Encaustic on Wood $250
“Ledge” and “Bouquet” 4 x 4” each, Encaustic on Wood, $250 each
“Ledge” 4 x 4” Encaustic on Wood $250
Back in 2001, I took a month-long artist’s retreat deep in the woods of British Columbia living in a tent on a mountainside with no electricity or running water. I intended to focus on photography which had been a passion of mine for at least a decade, but my camera broke on the first day there. What to do? ... I purchased some acrylics from the on-site “store” (a woodshed stocked with art supplies) and spent my days in this primitive paradise painting on found wood. I haven’t stopped since.
While I now favor oils over acrylics, my medium of choice is encaustic, which allows for endless possibilities in creating layered, textured, mixed media pieces. I love the element of serendipity inherent in the never-exactly-sure-what-you’re-going-to-get fusing process integral to this technique, where the paint is melted pigmented wax. For the past two years, I have also been experimenting with cold wax, which creates a creamy vehicle for oil paint. I apply/remove it almost exclusively with squeegees, as that often leads to unexpected, ethereal fields of color.
I call this series “found landscapes” because each one is the result of additive and subtractive meanderings in an open-ended search for place. These paintings were very much process-driven, with color and materials at the forefront. While every piece began with a chosen palette, they inevitably evolved into something entirely different, which was exciting; like driving without a map.
Working on the encaustic (hot wax) paintings was more like an archaeological dig, where razor blades and pottery tools scraped away surface layers searching for bits of history to enrich the story of place where we finally find ourselves.
With the oil and cold wax pieces, paint was both added and taken away with rubber scrapers, in a more delicate way, creating thin layers of both transparency and opacity, again searching for a coveted vista.
The collection as a whole can be seen as a road trip taken with no particular place I had to be, welcoming surprises around every bend, these images like snapshots to remind me of my journey.
“Bouquet” 4 x 4” Encaustic on Wood $250
“Wheat” and “Alizarin” 4 x 4” Encaustic on Wood $250 each
“Wheat” 4 x 4” Encaustic on Wood $250
“Alizarin” 4 x 4” Encaustic on Wood $250
“Waterway” 4 x 4” Encaustic on Wood $250
“Slope” 4 x 4” Encaustic on Wood $250 Sold
“Midnight” 6 x 6” Encaustic on Wood $375
“Golden” 12 x 12” Oil and Cold Wax on Wood $750
“Riot” 12 x 12” Oil and Cold Wax on Wood $750
“Pink Sand” 8 x 8” Oil and Cold Wax on Wood $550
“Pink Sky” 6 x 6” Encaustic on Wood $375
“Forest” 6 x 6” Encaustic on Wood $375
“Smile” 4 x 4” Encaustic on Wood $250
“Cerulean” 6 x 6” Encaustic on Wood $375
“Raincloud” 8 x 8” Oil and Cold Wax on Panel $550
“Nothing But Blue” 12 x 12” Oil and Cold Wax on Panel $750
“Baby Blue” 8 x 8” Oil and Cold Wax on Panel $550
“Sandbar” 4 x 4” Encaustic on Wood Panel $250
“Treeline” 4 x 4” Encaustic on Wood $250
“Sand” 8 x 10” Oil and Cold Wax on Panel $650
“Silver” 8 x 8” Oil and Cold Wax on Panel $550
“Last Light” 8 x 8” Oil and Cold Wax on Panel $525
“Mood” 8 x 10” Oil and Cold Wax on Panel Sold